I kept Suzanne's Moly hostage, unable to even open Andrea's envelope, for about a month. I still had Andrea's Moly to which i yet had to add my contribution. Once that was done and out of the way (it's coming your way, Gabi!), i was able to face Andrea's next stroke of brilliance.
I think we've all said it in one way or another: seeing someone's work on paper, in the flesh as it were, is an enhanced experience from what we are used to seeing on our respective computer screens.
First, Suzanne's drawing and collages, her ever restrained use of the marker to add just enough color, put a smile on my face. Then, Andrea's mark, so fine and delicate that i am still gazing at her dead bugs in disbelief. I have a vague idea of where i am going to take this one... and i promise it won't take as long as with the previous one.
Just gaze, guys. Just gaze.
Here's a not-so-good shot of the Suzanne-to-Andrea Moly so far.